Born in 1991 in just outside of Vancouver, Canada, Meghan Isaacs is a comprehensive young artist. She has a keen eye for detail that can be seen in many of her works. Meghan grew up outside of San Francisco, California and it was there at a young age that she began to show an interest in art. Although she works primarily in acrylic paint she is adept at photography and ceramics. After moving back to Canada from California at the age of thirteen for a brief period of time her family moved to Allentown, Pennsylvania for two years. At the end of the two years her family relocated to Dallas, Texas where she started to refine and seriously focus on her art. The densely populated and commercialized suburbs of the DFW metroplex would inspire her to create many works, such as her series “Suburban internment” and “A Higher-way”. These paintings capture the suburban expansion as well as the complexity of the Dallas highway system in a unique and compelling manner. In her series “A Higher-way” Meghan said that she wanted to “expand upon the view that when the term Highway is broken down it comes to mean "A means to a destination above us" ”. After five years in Texas Meghan moved back to Allentown where she currently resides. Topical social matters, technology, her surrounding and similar subjects influence her art. Despite her failure to pass any art classes while attending public school in her youth Meghan continues to pursue her art with passion and conviction not often seen in someone of her age. Meghan has said that the rapped growth and dependence upon technology in her lifetime has a clear and strong influence upon her work. She has been featured in The Fat City Review and is an artist featured on Gressio.com. Her art brings forth a voice of the younger generations not yet heard in a poignant thought-provoking manner and she continues to provide a multitude new and compelling works.